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A third feature of former times is the condition of women during those ages. Eulogizers of Old Japan not only seem to forget that working classes existed then, but also that women, constituting half the population, were essential to the existence of the nation. Though allowing more freedom than was given to women in other Oriental nations, Japan did not grant such liberty as is essential to the full development of her powers. "Woman is a man's plaything" expresses a view still held in Japan. "Woman's sole duty is the bearing and rearing of children for her husband" is the dominant idea that has determined her place in the family and in the state for hundreds of years. That she has any independent interest or value as a human being has not entered into national conception. "The way in which they are treated by the men has hitherto been such as might cause a pang to any generous European heart.... A woman's lot is summed up in what is termed 'the three obediences,' obedience, while yet unmarried, to a father; obedience, when married, to a husband; obedience, when widowed, to a son. At the present moment the greatest duchess or marchioness in the land is still her husband's drudge. She fetches and carries for him, bows down humbly in the hall when my lord sallies forth on his good pleasure."[C] "The Greater Learning for Women," by Ekken Kaibara (1630-1714), an eminent Japanese moralist, is the name of a treatise on woman's duties which sums up the ideas common in Japan upon this subject. For two hundred years or more it has been used as a text-book in the training of girls. It enjoins such abject submission of the wife to her husband, to her parents-in-law, and to her other kindred by marriage, as no self-respecting woman of Western lands could for a moment endure. Let me prove this through a few quotations.

The most important spoon in the Jamestown collection, and one of the most significant objects excavated, is an incomplete pewter spoon--a variant of the trifid, or split-end, type common during the 1650-90 period. Impressed on the handle (in the trefoil finial of the stem) is the mark of the maker, giving his name, the Virginia town where he worked, and the year he started business. This is the sole surviving "touch" or mark of an American pewterer of the 17th century. The complete legend, encircling a heart, reads: "IOSEPH COPELAND/1675/CHUCKATUCK." (Chuckatuck is a small Virginia village in Nansemond County, about 30 miles southeast of Jamestown.) Joseph Copeland later moved to Jamestown where he was caretaker of the statehouse from 1688-91. He may have made pewter in Virginia's first capital. His matchless spoon found in the old Jamestown soil is the oldest dated piece of American-made pewter in existence.

DePerthes found some flints which show evidence of their human origin, and yet it would be very difficult to say what was their use. He thinks they may have a religious significance, and has set forth a great variety of eloquent surmises respecting them. It only need be said that such theorizing is worse than useless. That while it is very probable these tribes had some system of belief, yet there is no good reason for supposing these flints had any connection with it. It has been supposed, from another series of wrought flints, that the men of this epoch were possessed of some sentiments of art, as pieces have been found thought to represent the forms of animals, men's faces, birds, and fishes; but as very few have been able to detect such resemblances, it is safe to say they do not exist.

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