My Web Site Page 120Lorta Pogarlen chose the topics covered by My Web Site Page 120 without reflecting upon the choices others have made. Starring in a mysty evening scenario is another way to look at things in a different light. |
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The first care of the male stickleback, when he has acquired his courting suit, is to build a suitable home for his future wives and children. So he picks up stems of grass and water-weeds with his mouth, and weaves them deftly into a compact nest as perfect as a bird's, though some what different in shape and pattern, it rather resembles a barrel, open at both ends, as though the bottom were knocked out: this form is rendered necessary because the eggs, when laid, have to be constantly aerated by passing a current of water through the nest as I shall describe hereafter. No. 1 shows us such a nest when completed, with the female stickleback loitering about undecided as to whether or not she shall plunge and enter it. You will observe that the fabric is woven round a fixed support of some waving water-weeds; but the cunning little architect does not trust in this matter to his textile skill alone; he cements the straws and other materials together with a gummy mortar of mucous threads secreted for the purpose by his internal organs. |
The chapels are fifteen in number, and lead up to a larger and singularly graceful one, rather more than half-way between Saas and Saas-Fee. This is commonly but wrongly called the chapel of St. Joseph, for it is dedicated to the Virgin, and its situation is of such extreme beauty--the great Fee glaciers showing through the open portico--that it is in itself worth a pilgrimage. It is surrounded by noble larches and overhung by rock; in front of the portico there is a small open space covered with grass, and a huge larch, the stem of which is girt by a rude stone seat. The portico itself contains seats for worshippers, and a pulpit from which the preacher's voice can reach the many who must stand outside. The walls of the inner chapel are hung with votive pictures, some of them very quaint and pleasing, and not overweighted by those qualities that are usually dubbed by the name of artistic merit. Innumerable wooden and waxen representations of arms, legs, eyes, ears and babies tell of the cures that have been effected during two centuries of devotion, and can hardly fail to awaken a kindly sympathy with the long dead and forgotten folks who placed them where they are. |
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