My Web Site Page 186 Ovations 04

Ovations

Sitemaps

There is good ground for maintaining that Easter and its accessory celebrations mark with tolerable accuracy the anniversaries of the Passion and Resurrection of our Lord, because we know that the events themselves took place at the period of the Jewish Passover; but no such precision of date can be adduced as regards Christmas. Dr. Geikie[1] says: "The _season_ at which Christ was born is inferred from the fact that He was six months younger than John, respecting the date of whose birth we have the help of knowing the time of the annunciation during his father's ministrations in Jerusalem. Still, the whole subject is very uncertain. Ewald appears to fix the date of the birth as five years earlier than our era. Petavius and Usher fix it as on the 25th of December, five years before our era; Bengel, on the 25th of December, four years before our era; Anger and Winer, four years before our era, in the spring; Scaliger, three years before our era, in October; St. Jerome, three years before our era, on December 25th; Eusebius, two years before our era, on January 6th; and Ideler, seven years before our era, in December." Milton, following the immemorial tradition of the Church, says that-- "It was the winter wild."

This statement only applies to the actual marching, and does not at all mean that you had not to go through severe sufferings and endless trials of other kinds. Unless you were careful where you were sitting, you found yourself spiked by thorns of great length which were strewn all over the forest hidden under the thick carpet of discarded foliage from the trees. Not only that, but the moment you sat down your body was simply invaded by swarms of ants of all sizes and degrees of viciousness, which proceeded to bite you all over with considerable vigour. There were not many mosquitoes where the forest was dense, but there were millions--in fact, milliards--of bees, which rendered your life absolutely unbearable, as they clung to your face, hands and clothes. Fortunately, they did not sting, but clinging with their claws upon your skin they produced such an irritation that you were nearly driven mad by it.

The brothers Maris have made a distinct impression on modern Dutch art, and, strange enough, each in a different way from the others. James Maris (1837-) studied at Paris, and is remarkable for fine, vigorous views of canals, towns, and landscapes. He is broad in handling, rather bleak in coloring, and excels in fine luminous skies and voyaging clouds. Matthew Maris (1835-), Parisian trained like his brother, lives in London, where little is seen of his work. He paints for himself and his friends, and is rather melancholy and mystical in his art. He is a recorder of visions and dreams rather than the substantial things of the earth, but always with richness of color and a fine decorative feeling. Willem Maris (1839-), sometimes called the "Silvery Maris," is a portrayer of cattle and landscape in warm sunlight and haze with a charm of color and tone often suggestive of Corot. Jongkind (1819-1891) stands by himself, Mesdag (1831-) is a fine painter of marines and sea-shores, and Mauve (1838-1888), a cattle and sheep painter, with nice sentiment and tonality, whose renown is just now somewhat disproportionate to his artistic ability. In addition there are Kever, Poggenbeek, Bastert, Baur, Breitner, Witsen, Haverman, Weissenbruch.

This page is Copyright © Lorta Pogarlen. All Rights Reserved. My Web Site Page 186 is a production of Lorta Pogarlen and may not be reproduced electronically or graphically for commercial uses. Personal reproductions and browser or search engine caching are acceptable.

Ovations provided by My Web Site Page 186 are included only for information. The entertainment value of My Web Site Page 186's ovations may vary on the basis of your personal needs. Lorta Pogarlen and My Web Site Page 186 take no responsibility for the content provided by other Web sites. Links are provided "as is" without liability or warranty.