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"I should learn everything then," she said to herself, still walking quickly along the bridle road through the wood. "It would be my duty to study that I might help him the better in his great works. There would be nothing trivial about our lives. Every-day things with us would mean the greatest things. It would be like marrying Pascal. I should learn to see the truth by the same light as great men have seen it by. And then I should know what to do, when I got older: I should see how it was possible to lead a grand life here--now--in England. I don't feel sure about doing good in any way now: everything seems like going on a mission to a people whose language I don't know;--unless it were building good cottages--there can be no doubt about that. Oh, I hope I should be able to get the people well housed in Lowick! I will draw plenty of plans while I have time."

This period produced the great beds of coal we use to-day. But the vegetation of the coal period would present strange features to our eyes. The vegetation commenced with the lowest orders of flowerless plants, such as sea-weeds; but, before it was brought to a close, there was a wonderful variety and richness of plants of the flowerless or Cryptogamic division. In some of the warmest portions of the globe, we have to-day tree-ferns growing four or five feet high. During the closing part of the Paleozoic time, there were growing all over the temperate zone great tree-ferns thirty feet or so in height. Some varieties of rushes in our marshes, a foot or two in height, had representatives in the marshes of the coal period standing thirty feet high, and having woody trunks.<7> Near the close of the Paleozoic time, vegetation assumed a higher form of life. Flowering plants are represented. Pines were growing in the coal measures.

She was perfectly at home in the mountains, and spent much time in the huts of charcoal burners, huntsmen, or woodcutters, contented with the food they could give her and happy in her study. Thus she made her sketches for "Morning in the Highlands," "The Denizens of the Mountains," etc. She once lived six weeks with her party on the Spanish side of the Pyrenees, where they saw no one save muleteers going and coming, with their long lines of loaded mules. Their only food was frogs' legs, which they prepared themselves, and the black bread and curdled milk which the country afforded. At evening the muleteers would amuse the strangers by dancing the national dances, and then repose in picturesque groups just suited to artistic sketching. In Scotland and in Switzerland, as well as in various portions of her own country, she had similar experiences, and her "Hay-Making in Auvergne" proves that she was familiar with the more usual phases of country life. At the Knowles sale in London, in 1865, her picture of "Spanish Muleteers Crossing the Pyrenees," one of the results of the above sojourn in these mountains, sold for two thousand guineas, about ten thousand dollars. I believe that, in spite of the large sums of money that she received, her habitual generosity and indifference to wealth prevented her amassing a large fortune, but her fame as an artist and her womanly virtues brought the rewards which she valued above anything that wealth could bestow--such rewards as will endure through centuries and surround the name of Rosa Bonheur with glory, rewards which she untiringly labored to attain.

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