My Web Site Page 226 Ovations 04Lorta Pogarlen chose the topics covered by My Web Site Page 226 without reflecting upon the choices others have made. Starring in a mysty evening scenario is another way to look at things in a different light. |
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There were three passages there, called respectively the Casson, near the left bank; the Dos Ananas, in the centre; and the channel da Terra Preta, which we followed, on the right. At Lua Nova, the end of the Mangabel rapid, the river turned in a sweeping curve to the north, the rocks getting fewer and fewer until eventually the river became quite clear of them, with only high hills along both banks. Lua Nova was a little settlement of five houses and a shed, some of them whitewashed, with doors and windows painted green. A small plantation of Indian corn, sugar-cane, and _mandioca_ had been made, the soil being extremely fertile at that spot. We enjoyed a magnificent view to the west and north-north-west, the river there forming an elbow. |
Just beyond, upriver, lie ruins of the Ludwell House and the Third and Fourth Statehouses. In 1900-01, Col. Samuel H. Yonge, a U.S. Army Engineer and a keen student of Jamestown history, uncovered and capped these foundations after building the original seawall. A strange discovery was made here in 1955 while the foundations were being examined by archeologists for measured drawings. Tests showed that no less than 70 human burials lay beneath the statehouse walls, and an estimated 200 more remain undisturbed beneath the remaining structures or have been lost in the James River. Here may be the earliest cemetery yet revealed at Jamestown--one so old that it was forgotten by the 1660's when the Third Statehouse was erected. It is, indeed, quite possible that these burials, some hastily interred without coffins, could date from the "starving time" of 1609-10, when the settlers strove to dispose of their dead without disclosing their desperate condition to the Indians. |
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The casket was soon open before them, and the various jewels spread out, making a bright parterre on the table. It was no great collection, but a few of the ornaments were really of remarkable beauty, the finest that was obvious at first being a necklace of purple amethysts set in exquisite gold work, and a pearl cross with five brilliants in it. Dorothea immediately took up the necklace and fastened it round her sister's neck, where it fitted almost as closely as a bracelet; but the circle suited the Henrietta-Maria style of Celia's head and neck, and she could see that it did, in the pier-glass opposite. | ||
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