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Painting in Flanders starts abruptly with the fifteenth century. What there was before that time more than miniatures and illuminations is not known. Time and the Iconoclasts have left no remains of consequence. Flemish art for us begins with Hubert van Eyck (?-1426) and his younger brother Jan van Eyck (?-1440). The elder brother is supposed to have been the better painter, because the most celebrated work of the brothers--the St. Bavon altar-piece, parts of which are in Ghent, Brussels, and Berlin--bears the inscription that Hubert began it and Jan finished it. Hubert was no doubt an excellent painter, but his pictures are few and there is much discussion whether he or Jan painted them. For historical purposes Flemish art was begun, and almost completed, by Jan van Eyck. He had all the attributes of the early men, and was one of the most perfect of Flemish painters. He painted real forms and real life, gave them a setting in true perspective and light, and put in background landscapes with a truthful if minute regard for the facts. His figures in action had some awkwardness, they were small of head, slim of body, and sometimes stumbled; but his modelling of faces, his rendering of textures in cloth, metal, stone, and the like, his delicate yet firm _facture_ were all rather remarkable for his time. None of this early Flemish art has the grandeur of Italian composition, but in realistic detail, in landscape, architecture, figure, and dress, in pathos, sincerity, and sentiment it is unsurpassed by any fifteenth-century art.

The cave of Gailenreuth, in Bavaria, was explored by Dr. Goldfuss in 1810. He came to the conclusion that the bones of bears and other extinct animals were proofs of the former presence of the animals themselves. Dr. Buckland, a celebrated English writer, visited the cave in 1816, and became much interested in the work; so much so that when Kirkdale Cavern, in England, was discovered in 1821, he at once repaired to the spot and made a careful exploration. The results satisfied him that hyenas and other extinct animals had once lived in England. He followed up his explorations in a number of cases, and published a work on this subject in 1822, which marks the commencement of a new era in cave research.

However, thanks to the great civility of the managers of the Booth Line at Manaos, and to the extreme thoughtfulness of the captain of the _Atahualpa_, I was made quite comfortable in the chart-room of the ship, which was as far away as possible from the noise. We were most of the time in mid-stream. The river was so wide that we could not see anything on either side. We steamed up day after day, occasionally passing islands of some beauty rising above the muddy waters of the Solimoes. Navigation of that river was difficult, as the navigable channels were constantly changing, islands disappearing and new islands forming all the time. Elich Island, in the Timbuctuba group, was fast disappearing, while another island was forming just below it.

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