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At length, after enduring great privations and suffering, and encountering the extreme dangers to which their frail barks were necessarily exposed from the surges which roll in perpetually from the broad Atlantic Ocean upon the coast of Spain and into the Bay of Biscay, they arrived safely on the shores of Britain. They landed and explored the interior. They found the island robed in the richest drapery of fruitfulness and verdure, but it was unoccupied by any thing human. There were wild beasts roaming in the forests, and the remains of a race of giants in dens and caves--monsters as diverse from humanity as the wolves. Brutus and his followers attacked all these occupants of the land. They drove the wild beasts into the mountains of Scotland and Wales, and killed the giants. The chief of them, whose name was Gogmagog, was hurled by one of Brutus's followers from the summit of one of the chalky cliffs which bound the island into the sea.

The difficult and time-consuming job of conquering the Virginia wilderness (clearing the land, building homes, planting and harvesting crops, and warding off Indian attacks) left few hours for leisure and amusements. There were times, however (especially after the first few hard years had passed), when a colonist could enjoy himself by smoking his pipe, playing a game, practicing archery, bowling, playing a musical instrument, singing a ballad, or taking part in a lively dance. Excavated artifacts reveal that the settlers enjoyed at least these few amusements and pastimes.

In the _International Studio_ of March, 1903, we read: "The portrait of Mrs. Roosevelt, by Miss Cecilia Beaux, seemed to me to be one of the happiest of her creations. Nothing could exceed the skill and daintiness with which the costume is painted, and the characterization of the head is more sympathetic than usual, offering a most winsome type of beautiful, good womanhood. A little child has been added to the picture--an afterthought, I understand, and scarcely a fortunate one; at least in the manner of its presentment. The figure is cleverly merged in half shadow, but the treatment of the face is brusque, and a most unpleasant smirk distorts the child's mouth. It is the portrait of the mother that carries the picture, and its superiority to many of Miss Beaux's portraits consists in the sympathy with her subject which the painter has displayed."--_Charles H. Caffin_.

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