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Browning, on the other hand, kept his raptures and his processes severely to himself. He never seems to have given the smallest hint as to how he conceived a poem or worked it out. He was as reticent about his occupation as a well-bred stockbroker, and did his best in society to give the impression of a perfectly decorous and conventional gentleman, telling strings of not very interesting anecdotes, and making a great point of being ordinary. Indeed, I believe that Browning was haunted by the eighteenth-century idea that there was something not quite respectable about professional literature, and that, like Gray, he wished to be considered a private gentleman who wrote for his amusement. When in later years he took a holiday, he went not for secret contemplation, but to recover from social fatigue. Browning is really one of the most mysterious figures in literature in this respect, because his inner life of poetry was so entirely apart from his outer life of dinnerparties and afternoon calls. Inside the sacred enclosure, the winds of heaven blow, the thunder rolls; he proclaims the supreme worth of human passion, he dives into the disgraceful secrets of the soul: and then he comes out of his study a courteous and very proper gentleman, looking like a retired diplomatist, and talking like an intelligent commercial traveller--a man whose one wish appeared to be as good-humouredly like everyone else as he conveniently could.

It is a very remarkable fact that not only are such substances as albumin, gluten, fibrin, and syntonin, known exclusively as products of animal and vegetable bodies, but that every animal and every plant, at all periods of its existence, contains one or other of them, though, in other respects, the composition of living bodies may vary indefinitely. Thus, some plants contain neither starch nor cellulose, while these substances are found in some animals; while many animals contain no horny matter and no gelatin-yielding substance. So that the matter which appears to be the essential foundation of both the animal and the plant is the proteid united with water; though it is probable that, in all animals and plants, these are associated with more or less fatty and amyloid (or starchy and saccharine) substances, and with very small quantities of certain mineral bodies, of which the most important appear to be phosphorus, iron, lime, and potash.

The gait is shuffling; the motion of the body, which is never upright as in man, but bent forward, is somewhat rolling, or from side to side. The arms being longer than the Chimpanzee, it does not stoop as much in walking; like that animal, it makes progression by thrusting its arms forward, resting the hands on the ground, and then giving the body a half-jumping, half-swinging motion between them. In this act it is said not to flex the fingers, as does the Chimpanzee, resting on its knuckles, but to extend them, making a fulcrum of the hand. When it assumes the walking posture, to which it is said to be much inclined, it balances its huge body by flexing its arms upward.

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