My Web Site Page 316 Ovations 06Lorta Pogarlen chose the topics covered by My Web Site Page 316 without reflecting upon the choices others have made. Starring in a mysty evening scenario is another way to look at things in a different light. |
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This wild Rabbit has been startled by some noise, and the next moment she may be scampering away to her burrow, with the little bunnies, at the top of their speed, and crouch there until all is quiet again. Rabbits usually select, if possible, a sandy soil overgrown with furze, in which to make their burrows, as such a soil is easily removed, and the dense prickly furze hides their retreat, whilst it affords them a wholesome and never-failing food. These furze bushes are constantly eaten down, as far as the rabbits can reach standing on their hind legs, and consequently present the appearance of a solid mass with the surface even and rounded. These animals retire into their burrows by day to rest, and come out only in the twilight to obtain food. |
An aspect of Japanese life widely remarked and praised by foreign writers is the love for children. Children's holidays, as the third day of the third moon and the fifth day of the fifth moon, are general celebrations for boys and girls respectively, and are observed with much gayety all over the land. At these times the universal aim is to please the children; the girls have dolls and the exhibition of ancestral dolls; while the boys have toy paraphernalia of all the ancient and modern forms of warfare, and enormous wind-inflated paper fish, symbols of prosperity and success, fly from tall bamboos in the front yard. Contrary to the prevailing opinion among foreigners, these festivals have nothing whatever to do with birthday celebrations. In addition to special festivals, the children figure conspicuously in all holidays and merry-makings. To the famous flower-festival celebrations, families go in groups and make an all-day picnic of the joyous occasion. |
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If one looks closely at life, one sees the same quality in humanity, in men and women, in books and pictures, and yet one cannot tell what goes to the making of it. It seems to be a thing which no energy or design can capture, but which alights here and there, blowing like the wind at will. It is not force or originality or inventiveness; very often it is strangely lacking in any masterful quality at all; but it has always just the same wistful appeal, which makes one desire to understand it, to take possession of it, to serve it, to win its favour. It is as when the child in Francis Thompson's poem seems to say, "I hire you for nothing." That is exactly it: there is nothing offered or bestowed, but one is at once magically bound to serve it for love and delight. There is nothing that one can expect to get from it, and yet it goes very far down into the soul; it is behind the maddening desire which certain faces, hands, voices, smiles excite--the desire to possess, to claim, to know even that no one else can possess or claim them, which lies at the root of half the jealous tragedies of life. | ||
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