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The internal evidence of the wooden figures themselves--nothing analogous to which, it should be remembered, can be found in the chapel of 1687--points to a much earlier date. I have met with no school of sculpture belonging to the early part of the eighteenth century to which they can be plausibly assigned; and the supposition that they are the work of some unknown local genius who was not led up to and left no successors may be dismissed, for the work is too scholarly to have come from any one but a trained sculptor. I refer of course to those figures which the artist must be supposed to have executed with his own hand, as, for example, the central figure of the Crucifixion group and those of the Magdalene and St. John. The greater number of the figures were probably, as was suggested to me by Mr. Ranshaw, of Lowth, executed by a local woodcarver from models in clay and wax furnished by the artist himself. Those who examine the play of line in the hair, mantle, and sleeve of the Magdalene in the Crucifixion group, and contrast it with the greater part of the remaining draperies, will find little hesitation in concluding that this was the case, and will ere long readily distinguish the two hands from which the figures have mainly come. I say "mainly," because there is at least one other sculptor who may well have belonged to the year 1709, but who fortunately has left us little. Examples of his work may perhaps be seen in the nearest villain with a big hat in the Flagellation chapel, and in two cherubs in the Assumption of the Virgin.

Care must be taken, however, not to over-emphasize this extremist tendency. In some respects, I am convinced that it is more apparent than real. The appearance is due to the silent passivity even of those who are really opposed to the new departure. It is natural that the advocates of some new policy should be enthusiastic and noisy. To give the impression to an outsider that the new enthusiasm is universal, those who do not share it have simply to keep quiet. This takes place to some degree in every land, but particularly so in Japan. The silence of their dissent is one of the striking characteristics of the Japanese. It seems to be connected with an abdication of personal responsibility. How often in the experience of the missionary it has happened that his first knowledge of friction in a church, wholly independent and self-supporting and having its own native pastor, is the silent withdrawal of certain members from their customary places of worship. On inquiry it is learned that certain things are being done or said which do not suit them and, instead of seeking to have these matters righted, they simply wash their hands of the whole affair by silent withdrawal.

In making his preparations for a descent upon the English coast, he prepared for a very determined contest, knowing well the character of the foes with whom he would have now to deal. He built two enormous ships, much larger than those of the ordinary size, and armed and equipped them in the most perfect manner. He filled them with selected men, and sailing down along the coast of Scotland, he watched for a place and an opportunity to land. Winds and storms are almost always raging among the dark and gloomy mountains and islands of Scotland. Ragnar's ships were caught on one of these gales and driven on shore. The ships were lost, but the men escaped to the land. Ragnar, nothing daunted, organized and marshaled them as an army, and marched into the interior to attack any force which might appear against them. His course led him to Northumbria, the most northerly Saxon kingdom. Here he soon encountered a very large and superior force, under the command of Ella, the king; but, with the reckless desperation which so strongly marked his character, he advanced to attack them. Three times, it is said, he pierced the enemy's lines, cutting his way entirely through them with his little column. He was, however, at length overpowered. His men were cut to pieces, and he was himself taken prisoner. We regret to have to add that our cruel ancestors put their captive to death in a very barbarous manner. They filled a den with poisonous snakes, and then drove the wretched Ragnar into it. The horrid reptiles killed him with their stings. It was Ella, the king of Northumbria, who ordered and directed this punishment.

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