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It is impossible to read the biographies of some of our most celebrated men, and not to see that with means scanty enough they were enabled to keep their terms with honour, and in the end confer additional celebrity upon the noble foundations where they had studied. If such be the case, we have only the result of personal good or ill conduct to explain the whole of the affair. But enough on this subject.

It is true that, however we linger, however passionately we love the small, sweet, encircling joys and delights of life, the tragic experience comes to us, whether we will or no. None escapes. And thus our care must be not to turn our eyes away from what in sterner moments we are apt to think mere shows and vanities, but to use them serenely and temperately. St. Augustine, in a magnificent apologue upon the glories and subtleties of light, can only end by the prayer that his heart may not thereby be seduced from heavenly things; but that is the false kind of asceticism, and it is nothing more than a fear of life, if our only concern with it is to shun and abhor the joy it would fain give us. But we may be sure that life has a meaning for us in its charm and loveliness; not the whole meaning, but still an immense significance. To make life into a continuous flight, a sad expectancy, a perpetual awe, is wilfully to select one range of experiences and to neglect its kindness and its good-will. We may grow weak in our sentiment if we make a tragedy out of life, if we cannot bear to have our comfortable arrangements disordered, our little circle of pleasures broken through. The triumph is to be ready for the change, and to know that if the perfect summer day comes to an end, the power that shaped it so, and made the heart swift to love it, has yet larger surprises and glories in store. If we do that, then the charm of life takes its place in our spirits as the evidence of something joyful, wistful, pleasant, bound up with the essence of things; if it disappears, like the gold or azure thread of the tapestry, it is only to emerge in the pattern farther on; and the victory is not to attach ourselves to the particular touches of beauty and fineness which we see in the familiar scene and the well-loved circle, but to recognise beauty as a spirit, a quality which is for ever making itself felt, for ever beckoning and whispering to us, and which will not fail us even if for a time the urgent wind drives us far into the night and the storm, among the crash of the breakers, and the scream of loud winds over the sea.

Many insects pass the winter in the quiescent or pupal stage; a state exceedingly well fitted for hibernating, requiring as it does, no food, and giving plenty of time for the marvellous changes which are then undergone. Some of these pupae are enclosed in dense silken cocoons, which are bound to the twigs of the plants upon which the larvae feed, and thus they swing securely in their silken hammocks through all the storms of winter. Perhaps the most common of these is that of the brown Cecropian moth, _Attacus cecropia_ L., the large oval cocoon of which is a conspicuous object in the winter on the twigs of our common shade and fruit trees. Many other pupae may be found beneath logs or on the under side of bark, and usually have the chrysalis surrounded by a thin covering of hairs, which are rather loosely arranged. A number pass the cold season in the earth with no protective covering whatever. Among these is a large brown chrysalis with a long tongue case bent over so as to resemble the handle of a jug. Every farm boy has ploughed or spaded it up in the spring, and is it but the pupa of a large sphinx moth, _Protoparce celeus_ Hub., the larva of which is the great green worm, with a "horn on its tail," so common on tomato plants in the late summer.

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