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THERE be none of the affections, which have been noted to fascinate or bewitch, but love and envy. They both have vehement wishes; they frame themselves readily into imaginations and suggestions; and they come easily into the eye, especially upon the present of the objects; which are the points that conduce to fascination, if any such thing there be. We see likewise, the Scripture calleth envy an evil eye; and the astrologers, call the evil influences of the stars, evil aspects; so that still there seemeth to be acknowledged, in the act of envy, an ejaculation or irradiation of the eye. Nay, some have been so curious, as to note, that the times when the stroke or percussion of an envious eye doth most hurt, are when the party envied is beheld in glory or triumph; for that sets an edge upon envy: and besides, at such times the spirits of the person envied, do come forth most into the outward parts, and so meet the blow.

Louis landed in England in the Isle of Thanet on May 21. John had collected a large and strong fleet to prevent his crossing, but a storm just at the moment had dispersed it and left the enemy a clear passage. John, then at Canterbury, first thought to attack the French with his land forces, but fearing that his hired troops would be less loyal to a mere paymaster than to the heir and representative of their suzerain in France, he fell back and left the way open for Louis's advance to London. Soon after landing, Louis sent forward a letter to the Abbot of St. Augustine's in Canterbury, who, he feared, was about to excommunicate him. In this letter which was possibly intended also for general circulation, he repeated the arguments used against the legate with some additional points of the same sort, and explained the hereditary claim of his wife and his own right by the choice of the barons. The document is a peculiar mixture of fact and falsehood, but it was well calculated to impose on persons to whom the minor details of history would certainly be unknown. Rochester castle fell into the hands of the French with no real resistance; and on June 2, Louis was welcomed in London with great rejoicing, and at once received the homage of the barons and of the mayor. Louis's arrival seemed to turn the tide for the moment against the king. He retreated into the west, while the barons took the field once more, and with the French gained many successes in the east and north, particularly against towns and castles. On June 25, Louis occupied Winchester. Barons who had been until now faithful to the king began to come in and join the French as their rapid advance threatened their estates; among them was even John's brother, the Earl of Salisbury. Early in July Worcester was captured and Exeter threatened, and John was forced back to the borders of Wales. This marks, however, the limit of Louis's success. Instead of pushing his advance rapidly forward against the one important enemy, the king himself, he turned aside to undertake some difficult sieges, and made the further mistake of angering the English barons by showing too great favour to his French companions. Dover castle seemed to the military judgment of the French particularly important as "key of England," and for more than three months Louis gave himself up to the effort to take it.

William Blake (1757-1827) was hardly a painter at all, though he drew and colored the strange figures of his fancy and cannot be passed over in any history of English art. He was perhaps the most imaginative artist of English birth, though that imagination was often disordered and almost incoherent. He was not a correct draughtsman, a man with no great color-sense, and a workman without technical training; and yet, in spite of all this, he drew some figures that are almost sublime in their sweep of power. His decorative sense in filling space with lines is well shown in his illustrations to the Book of Job. In grace of form and feeling of motion he was excellent. Weird and uncanny in thought, delving into the unknown, he opened a world of mystery, peopled with a strange Apocalyptic race, whose writhing, flowing bodies are the epitome of graceful grandeur.

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